Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of PANNINI, Giovanni Paolo 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
8442 Apostle Paul Preaching on the Ruins af PANNINI, Giovanni Paolo Apostle Paul Preaching on the Ruins af 1744 Oil on canvas, 64 x 83,5 cm The Hermitage, St. Petersburg
30619 Interior of Saint Peter's PANNINI, Giovanni Paolo Interior of Saint Peter's mk68 Oil on canvas Venice. Ca'Rezzonico Museum 175 Italy
63837 Interior of the San Giovanni in Laterano in Rome PANNINI, Giovanni Paolo Interior of the San Giovanni in Laterano in Rome Oil on canvas, 74 x 100 cm Pushkin Museum, MoscowArtist:PANNINI, Giovanni Paolo Title: Interior of the San Giovanni in Laterano in Rome Painted in 1701-1750 , Italian - - painting : interior
8441 Musical Fete PANNINI, Giovanni Paolo Musical Fete 1747 Oil on canvas, 207 x 247 cm Mus??e du Louvre, Paris
8443 Roma Antica af PANNINI, Giovanni Paolo Roma Antica af c. 1755 Oil on canvas, 186 x 227 cam Staatsgalerie, Stuttgart
8440 The Piazza and Church of Santa Maria Maggiore ch PANNINI, Giovanni Paolo The Piazza and Church of Santa Maria Maggiore ch 1744 Oil on canvas Palazzo Quirinale, Rome

PANNINI, Giovanni Paolo
Italian Neoclassical Painter, ca.1691-1765 was an Italian painter and architect, mainly known as one of the vedutisti or (veduta, or "view painters"). As a young man, Pannini trained in his native town of Piacenza as a stage designer. In 1711, he moved to Rome, where he studied drawing with Benedetto Luti and became famous as a decorator of palaces, including the Villa Patrizi (1718C1725) and the Palazzo de Carolis (1720). As a painter, Pannini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are the interior of the Pantheon, and his vedute paintings of picture galleries containing views of Rome. Most of his works, specially those of ruins have a substantial fanciful and unreal embellishment characteristic of capriccio themes. In 1719, Pannini was admitted to the Congregazione dei Virtuosi al Pantheon. He taught in Rome at the Accademia di San Luca and the Academie de France, where he influenced Jean-Honore Fragonard. His studio included Hubert Robert and his son Francesco Panini. His style would influence a number of other vedutisti, such as his pupil Antonio Joli, as well as Canaletto and Bernardo Bellotto,
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